Moby Dick: The Graphic Novel (Campfire Graphic Novels) - Backordered

PRAISE

In this slender graphic adaptation of Melville’s magnum opus, Ishmael, Queequeg and the rest of the uniformly burly, steely-eyed whalers are strong presences in Singh’s art — at least until their pale, gargantuan nemesis shows up to scatter them and their ship as flotsam across the waves. . . . The biographical introduction and closing pages on whaling ships and sperm whales provide a nice veneer of historical context. — Kirkus Reviews

“I highly recommend Campfire’s comics. They do what they are intended to do and do it in  a way that excites kids about classic literature.” — Chris Wilson, The Graphic Classroom (a resource for teachers and librarians) 

“Stahlberg and Singh understand that the kids of today don’t want to be talked down to. . . . The comic reads as a full story; there isn’t really much that seems as if it’s missing.  Lalit Kumar Singh can stand up to any artist working in the Big Two today. He has a style reminiscent of Andy Kubert, or even, dare I say, early Marc Silvestri. The angular, realistic style expertly captures the dark nature of the story without going so dark as to possibly turn off younger readers. . . . If you have a kid whom you’d like to get into reading comics, and if you have a kid whom you’d like to get into classic literature, Moby Dick comes highly recommended.” — The Comics Cube!

“Campfire Graphics has condensed [Melville’s original work] to a mere 88 richly illustrated pages. And done quite a decent job too…. [Condensing] helps the action packed story move along at a brisk pace.” — Emma, No Flying No Tights

Herman Melville was born in New York City in 1819. When his father died, he was forced to leave school and find work. After passing through some minor clerical jobs, the eighteen-year-old young man shipped out to sea, first on a short cargo trip, then, at twenty-one, on a three-year South Sea whaling venture. From the experiences accumulated on this voyage would come the material for his early books, Typee (1846) and Omoo (1847), as well as for such masterpieces as Moby-Dick (1851), Pierre (1852), The Piazza Tales (1856), and Billy Budd, Sailor, and Other Stories (posthumous, 1924). Though the first two novels—popular romantic adventures—sold well, Melville’s more serious writing failed to attract a large audience, perhaps because it attacked the current philosophy of transcendentalism and its espoused “self-reliance.” (As he made clear in the savagely comic The Confidence Man (1857), Melville thought very little of Emersonian philosophy.) He spent his later years working as a customs inspector on the New York docks, writing only poems comprising Battle-Pieces (1866). He died in 1891, leaving Billy Budd, Sailor, and Other Stories unpublished.